May D Claims He Was Bigger Than Wizkid And Davido [Video]




 In a candid revelation on The Honest Bunch Podcast, Nigerian singer May D, real name Amin Adigun, has sparked a vibrant conversation within the Nigerian music industry by asserting his once-dominant status over megastars Wizkid and Davido. His claims, centered around the success of his early hit "Soundtrack" and his personal interactions with Davido, have set social media ablaze, trending under #MayD in Nigeria.



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May D, who made a significant splash in the music scene with his 2011 hit "Soundtrack," boldly stated that his song outdid Wizkid's "Holla at Your Boy" in terms of popularity at that time. This assertion invites a deep dive into the history and impact of these songs on the Nigerian music landscape. "Soundtrack" was indeed a massive hit, capturing the hearts of many with its catchy tune and danceable rhythm, emblematic of the era's Afrobeats. However, comparing it to "Holla at Your Boy" by Wizkid—a track that not only was a hit in Nigeria but also played a pivotal role in expanding the global reach of Afrobeats—requires a nuanced analysis. 




Wizkid's song was more than just a hit; it was a cultural moment, a catalyst for the genre's international recognition, which arguably set the stage for the global success of Nigerian music in subsequent years. May D's claim, while possibly true in the immediate aftermath of both songs' releases, does not fully account for the long-term impact and the broader cultural footprint left by Wizkid. 


Beyond the charts, May D's narrative took a more personal turn when he recounted an incident with Davido, another giant in Nigerian music. According to May D, he offered Davido a place to stay during a tough time at Psquare's house. However, Davido reportedly declined the offer upon seeing the condition of the room. This anecdote sheds light on the behind-the-scenes camaraderie and challenges faced by young artists in the industry. It's a reminder of the human side of stardom, where even the most celebrated artists face hardships and rely on the kindness of peers. 


The reaction to May D's revelations has been mixed, with some fans and observers lauding his contributions to Nigerian music, while others question the timing and intent behind his statements. This discourse is not just about music but about legacy, recognition, and the narrative artists choose to tell about their journey. May D's career, while not as consistently in the spotlight as Wizkid's or Davido's, has been influential in its own right. His hits like "Ile Ijo" and "Chop My Money" have left a mark, and his recent comments might be an attempt to reclaim or assert his place in the ongoing story of Nigerian music.


The trend on social media following May D's podcast appearance signals a broader conversation about how we measure success and influence in music. It's about more than just sales or streams; it's about cultural impact, mentorship, and the personal stories that weave through the industry. May D's narrative invites us to reconsider how we view the career arcs of artists who might not be in the current limelight but have significantly contributed to the genre's evolution.


Moreover, his claims serve as a catalyst for discussing the support system within the music industry. The anecdote about Davido illustrates a time when artists were more like family, helping each other out in ways that go beyond the music. It's a poignant reminder of the communal aspect of the Nigerian music scene, which has arguably become less visible as the industry grows and becomes more commercial.



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In conclusion, May D's assertions on The Honest Bunch Podcast are not just about personal vindication or stirring controversy; they are part of a larger dialogue about legacy, recognition, and the narrative power of music. They remind us that every artist has a story, and sometimes, those stories need to be revisited to appreciate the full tapestry of an artistic movement like Afrobeats. Whether one agrees with May D's claims or not, his words have certainly reignited interest in his contributions and sparked a debate about what truly defines an artist's impact in the ever-evolving world of Nigerian music.

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